Commercial

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After years of trying to find a way to connect their American fast food brand with South American consumers, I think it’s safe to say that Burger King has finally done it with their latest campaign ~ The King In Brazil. These are so bad I don’t know where to start. In this first one we get to see what must be someone’s idea of what a ‘typical office setting’ is like, complete with a demanding boss who interrupts some pretty juicy sounding office gossip. I’m not too sure this boss even remembers the name of the employee because he tries to get his attention with a ‘hey guy.’
burger_king_guy
Luckily for us this working-class hero waits until the boss is well out of earshot before telling everyone what he’d really like to say to him (if only he had the chance). Cue The King. He’s been waiting for the boss in his office where he then plays back the rant while the rest of the employees listen in as he’s broken down to the point of tears. There’s even a little bit of sexual harassment by The King when he’s comforting the distraught boss by patting him on his ass. The camera then pans back to the employee, who after realizing he had just made a grown man cry, promptly begins a new conversation about lunch and what he’s in the mood for (hmmmm.. a burger with a side of unemployment?).

Burger King – Sports Car

If that didn’t ignite the spark under your creative flame then hopefully this next one will. The scene opens up to two fairly young looking stoners discussing some comic-con inspired movie they must have just seen when all of a sudden they pass by a hot red sports-car being shown in a display window.
burgerking_stoners
So surprised at never having seen this car before one of them actually hits the other and exclaims “I’d love to drive this car!” Well, be careful what you wish for when the King is in town because seconds later the King appeared granting this kid his wish. Now this is a Burger King ad, so it wouldn’t be complete without some sort of comedic interlude right? You betcha! In this case that means the kid jumps behind the wheel of the car, floors it in reverse and smashes right smack into the car behind them. So now what does the King do after causing this potential count of vehicular manslaughter? Why of course he does what anyone else would do if put in his shoes, he laughs at just how stoned these two kids are and flees the scene before anyone starts asking questions. Flashback (no pun intended) to the the kids and we see that they’re too busy with some bacon-infused hallucination to even know whats going on around them. Don’t blame the bacon though… blame their parents.

This campaign was created by Ogilvy & Mather, Brasil along with the Hungry Man (Rio) production house.

Credits:

Agency: Ogilvy & Mather, Brasil
VP/Creative: Anselmo Ramos
Head Of Art: Denis Kakazu
Creative Director: Anselmo Ramos
Art Director: Fernando Reis
Copywriters: Marcelo Padoca
Agency Exec Producer: Nana Bittencourt
Agency Production: Mauricio Granado
Production Company: Hungry Man, Rio
Directors: Gualter Pupo, Steve Pearson
Exec Producers: Alex Mehedff, Renata Dumont
DP: Andre Modugno
Line Producer: Rodrigo Castello
Post Production Supervisor: Rodrigo Oliveira
Editor:
Audio Prod Company: Dr. Dd
Production & Maestro: Bonde Fumegante, Dudu Marote

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It is copywriting like this that gives me hope for the future of advertising. Warm and with a hint of playfulness, the narration for this McDonalds spot is simply beautiful. A tip of the hat goes out to creative-pair Tony Malcolm & Guy Moore from Leo Burnett London for dreaming up this piece.

Credits:

Agency: Leo Burnett, London
Client: McDonald’s
Creative Director: Jim Bolton
Copywriter: Tony Malcolm
Copywriter: Guy Moore
Art Director: Guy Moore
Art Director: Tony Malcolm
Agency TV Producer: Graeme Light
Production Company: Moxie Pictures
Director: Neil Gorringe
Editor: James Rosen
Editorial Company: Final Cut
Post Production: MPC
Audio Post Production: Wave

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Hoping to see similar results to w+k’s Happiness Factory from last year, Ogilvy Argentina teamed up with London-based Passion Pictures to create this :60 animated masterpiece for Coke Zero. I know I’m not alone when I say that I’m a big fan of this style of commercial and I wonder if there are any plans to make a feature length version of the spot. Aptly titled Happy Kingdom, this piece was directed by Pete Candeland.

Credits:

Agency: Ogilvy Argentina
Executive Creative Director: Gastón Bigio
Head of Art: Jonathan Gurvit
Creative Directors: Javier Mentasti, Christian Camean
Agency Producer: Laura Passalacqua

Production Company: Passion Pictures, London
Director: Pete Candeland
Executive Producer: Hugo Sands, Michael Adamo
Producer: Debbie Crosscup

Head of CG: Jason Nicolas
VFX Supervisor: Neil Riley
Technical Direcor: Julian Hodgson
Directors Assistant: Giles Dill
Storyboarding: Kevin Dart, Kim Frederiksen
Character Design/Development: Ron Kurniawan, Pete Candeland, Dan Sumich, Mario Ucci
Production Coordinator: Crystal Crompton
Matte Painting/Backgrounds: Kim Frederiksen, Lukasz Pazera
CG Modelling: Mario Ucci, Ian Brown, Matthias Bjurstrom, Doug Lassance, Dan Sweeney, Craig Maden
Rigging: Chris Dawson, Francois Pons, Julian Hodgson
CG Animation Supervisor: Wes Coman
Animation CG: Cath Brooks, Chris Welsby, David Sigrist, Melanie Climent
Animation FX: Jamie Franks, Tommy Andersson
Art Director: Mario Ucci
Texture\Shading: Mario Ucci, Ian Brown, Sally Wilson, Rick Thiele, Matthias Bjurstrom, Melanie Climent, Craig Maden, Nico Domerego, Dan Sweeney, Doug Lassance
Lighting/Rendering: Quentin Vien, Guillaume Cassuto, Claire Michaud, Rick Thiele
Lead Compositing: Niamh Lines
Compositing: Johnny Still, John Taylor, Lee Gingold

Editor: Jamie Foord, Dan Greenway
Telecine: Rushes
Sound Mix: Toby Griffin @ The Jungle Group
Music: Power Solo

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